It's built on slapstick comedy and Jim Carrey contorting his face a little more than usual, and turned out to be very popular. It's one of his works from early on in his A-list film career, specifically his first film to arrive in theaters after Ace Ventura: Pet Detective. The Mask, a fun little Jim Carrey romp from 1994. The Mask of Loki is an ancient wooden facemask with wild magical powers created by the Norse god of mischief Loki which when worn enables people to become The Mask.In the animated and film continuities, it is held by Stanley Ipkiss and Dorian Tyrell in the hit 1994 film The Mask and later by Tim Avery in the critically-panned 2005 film Son of the Mask.Ah, yes.
It is both parts one and two of the forty-sixth airing of Courage the Cowardly Dog, and the ninetieth episode overall. Size : 17.5cm x 12cm / 6.8 x 4.7.The Mask is the seventh episode of season four. The original is not harmless slapstick, fitting much better in the comedy horror genre.Windproof mask,Cartoon Hot Rod Antique Customized Classical Amer Make sure this fits by entering your model number.
The main thing that attracted Jim Carrey to the project was the chance for him to act out some of his favorite cartoon characters.The story of the film follows twenty-something Edge City banker Stanley Ipkiss as he finds a magical mask, endowed with the powers of the Norse Trickster God Loki, which effectively makes the wearer completely immune to absolutely everything, and capable of practically anything. The Mask’s personas are based on classic cartoon characters. A masked woman with a mysterious past comes to the farm and starts attacking. It originally aired on October 18, 2002.
Only to turn and find the rest of the police on the same side of the wall as him! He does it to keep Kellaway and Doyle inside. Absurdly Ineffective Barricade: The Mask sealing the gate to Landfill Park is a great example of this trope. When other less savory individuals get hold of it, the results are not so amusing. While not quite reaching With Great Power Comes Great Insanity levels, he does use it to get back at the people that bullied the shy reserved nice guy Stanley, and to woo nightclub-singer Tina Carlyle ( Cameron Diaz in her feature-film debut).
His boss Lieutanant Kellaway tells him "Start dancing and I'll blow your brains out." Actually Quite Catchy: During The Mask's "Cuban Pete" song and dance number, police detective Doyle (who's supposed to be trying to catch The Mask) starts dancing along with the music. Yes, it is a real limousine.
In the comics, he's a right-wing lunatic who uses The Mask as his personal hitman to kill those who wronged him for increasingly trivial reasons (such as suffocating his elementary school teacher), goes on a violent rampage against the police, and is ultimately shot and killed by his girlfriend. In the film, he's a lovable loser with a lot of nevertheless redeeming qualities who ultimately learns to stop relying on The Mask to solve his problems, rises to the occasion, and gets the girl. The same can be said for Stanley Ipkiss himself. This is why Stanley Ipkiss becomes a wisecracking mischief-maker, but the villain lets loose with all of his evil. In the film it simply removes all inhibitions, letting the wearer do whatever they want to.
All Psychology Is Freudian: Dr. Aluminum Christmas Trees: Intelligent dogs say "Uh?" in a questioning tone to express confusion. The Alleged Car: "The Loaner" Stanley receives from the mechanics, a 1951 Studebaker Champion that is rusting, and as demonstrated when Stanley kicks it in anger, falling to pieces.
Apologetic Attacker: Stanley apologizes to Kellaway while he made him his captive in order to get out of the police station to save Tina and stop Dorian. Affably Evil: The Mask is this at first as he decide to become a gangster instead of a superhero which he goes after those who mistreat Stanley like those mechanics and robs a bank just so he can get inside the Coco Bongo but he is friendly, polite, sweet and nice towards Tina who though prefers Stanley clearly likes him because of these things and he is a saint as well compered to Dorian Tyrell and, at the end of the film he drops the evil part and plays the "affable" part straight with him deciding to become a superhero. Both Stanley and his Mask persona graduate to full (and in the Mask's case, very weird) hero status by the end of the film. Even though he isn't as violent as most anti-heroes, he's still willing to do many unheroic things with little regard for those around him. The Mask himself is probably an Unscrupulous Hero. Anti-Hero: Stanley fits the classical Greek definition of the term.
The Mask Cartoon Movie And Cartoon
He tries shooting at Dorian's Superpowered Evil Side, only to get his own bullets spat back out at him. Ascended Fanboy: Stanley is an avid watcher of Golden Age cartoons, and as such, they seem to be a subconscious go-to for the masked persona's antics. In the comics, he was killed off at the end of the first story arc, but he became the main character of the movie and cartoon in the adaptations. Ascended Extra: Stanley Ipkiss. While emptying The Mask's pockets in the park, the police find a pair of "funny eyeball glasses", to which The Mask acts as if they are incriminating ("I've never seen those before in my life."), but when a bazooka is extracted, he calmly states "I have a permit for that."
Bank Robbery: Dorian sends his men to break into Edge City Savings, only for the Mask to beat them there. "Bang!" Flag Gun: The Mask whips out lethal-looking weapons to intimidate the goons, and the guns are revealed to be these after they run away. Bag of Holding: The Mask's pockets while being frisked by the police.
As laid out by the psychiatrist, everyone wears social masks hiding who they really are underneath. Beneath the Mask: Although it doesn't get played straight (it just happens literally), this trope is one of the major themes of the movie. Beethoven Was an Alien Spy: The deleted prologue shows us that Leif Erikson discovered America and never came back just to get rid of the Mask.
This still holds true for Dorian as well, since the mask that the artifact rips away is his pretenses of being a classy old-school-style mobster with a legitimate business and a sense of fair play. In the end, he has to take off this mask, and in doing so, finds a balance for himself. This means that Stanley becomes The Mask by removing his social mask, though, ironically, to do so, he puts a real mask on.
The Mask claims that he has a permit for that. While being frisked down by police, one of the agents retrieves a bazooka from the Mask's Hammerspace. But they turn out to be full of Bang Flag Guns. Peggy sells Stanley to said mobster for money to pay for a nice apartment, and Tina breaks up with him and ends up with Stanley after he saves her life as the Mask. Peggy is a modest, struggling journalist who would like to have a man in her life. Betty and Veronica Switch: Tina is the impossibly gorgeous girlfriend of a mobster and a criminal accomplice.
Black Dude Dies First: The Doctor is the first named character to die in the movie. Dorian is a sociopath and will kill anyone who dares to make a stand against him like Tina the woman that the Mask and Stanley both love. Black-and-Gray Morality: The Mask shoves exhaust pipes up the asses of crooked mechanics, robs a bank, disturbs a police investigation, and takes control of people's bodies without their consent, but he shows genuine care, love, compassion, and kindness to those who are nice to him and he is The Hero of the film who is fighting against Dorian who is the big bad and saves everyone from him and his goons.
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